Two days before production starts, myself and my group had a tutorial with Matt and suggested that we do a recce of the location to consider lighting tests and the set layout. This proved useful for us as we knew exactly what we'd be working with on production day and it gave us a chance to alter our storyboard shots in order to match the layout of the garage and the space we'd use for the set.
I am studying for a degree in Visual Communication: Film and Animation. Here you'll find the sorts of things I get up to along the way
Thursday, 2 March 2017
Wednesday, 1 March 2017
Pre-Production: Equipment List
Our production shoot will be on 4th March 2017. As such, we intend to book out certain items of equipment as well as using what we already own:
Equipment List:
• CANNON 100D (Alex)
• 32GB Sand Disk (Alex)
• 24mm lens (Alex)
• 250mm lens (Alex)
• Clapper board (Alex)
• LED Flood light (Alex)
• Flood light tripod (Alex)
• Green screen stand (Alex)
• Shot gun mic (Ellie)
• Manfrotto 190CXPRO4 Tripod (Mark 1)
• Manfrotto 181B Folding Dolly
• Sennheiser ME66 Shotgun Microphone (Deadcat) Kit
• Boom Pole
• Tascam DR-40 Portable Audio Recorder
• Rode NTG1 Shotgun Microphone (Phantom Powered)
• Canon EF 24-70mm f2.8L Lens
• Canon EF 28mm f1.8 Lens
• Headphones
• (x2) SanDisk 32GB Extreme SD Memory Card
• Canon 600D Camera Kit
Tuesday, 28 February 2017
Pre-Production: Production Schedule
Production Schedule:
Thursday 2nd March:
- Group work check
- Bring together costumes and props
- Decide on a name for film
- Finalise storyboard
- Create shot list
- Consider film festivals
Saturday 4th March:
- Film on set
- Arrive preferably before 12pm
- Prepare into costumes and set up ready for first scene
- begin filming shots corresponding to shot list.
Monday 6th March – Monday 22nd March:
- Post production editing
- Rough cut of film
- Colour grade film (Da Vinci resolve)
- Add sound
- Compress and export
Thursday 2nd March:
- Group work check
- Bring together costumes and props
- Decide on a name for film
- Finalise storyboard
- Create shot list
- Consider film festivals
Saturday 4th March:
- Film on set
- Arrive preferably before 12pm
- Prepare into costumes and set up ready for first scene
- begin filming shots corresponding to shot list.
Monday 6th March – Monday 22nd March:
- Post production editing
- Rough cut of film
- Colour grade film (Da Vinci resolve)
- Add sound
- Compress and export
Monday, 27 February 2017
Research: Character emotions
Leading up to production, I began to think about how I will direct the actors on set in bringing out the emotions we want for the characters. One form of research I have done is look at how a character deals with loss and the feeling of no control over what's going on.
In this scene from Interstellar, Cooper watches his children grow up in a matter of minutes which makes us as the audience feel great sympathy for Cooper as he has not been there as a father to watch his children become adults themselves.
I aim to get this same emotional response that Cooper receives from the audience within the protagonist. As a mother who has lost their child from forces they can't control; she will never see her child grow up and the only things that she has connected to her baby are the surgical scar on her stomach and the painting she draws with her own blood.
Lecture: I Come From Cyberspace
Summary:
Technology has advanced so far over the years, it has now gained the potential to become art as it has inflicted a great deal of influence in modern day society and culture and continues to do so with VR being the latest branch of advancement. Technology has also innfluenced fashion like that of Cybergoth and artists and filmmakers are also using the concept of cyberspace and technology for creating projections of the future that technology may lead to; for example The Matrix by the Wachowskis and Uncanny Valley by Federico Heller.
Friday, 24 February 2017
Pre-Production: Character Profiles
The Protagonist:
Referred to in the credits as "The Artist", she is a woman who has suffered at the hand of the law in horrific ways. Not so long ago, she was expected to give birth to a child. However, the government forced her to have an abortion and forcefully removed the child from her leading to a miscarriage.
Ever since that happened, she has laid low from the outside world due to the law against creativity. She has chosen to become an extremist of sorts and actively goes to an abandoned garage where she has set up her own secret art studio. It's here that she is working on her masterpiece; a painting of the fetus that could have been her living child.
To show the commitment she has to this work, she paints on a large sheet with her own blood; extracting more of it when she needs more to paint. This has resulted in her entire body being covered with scars, cuts and bruises as well as extreme blood loss. It's only a matter of time before these wounds take hold of her health.
For her costume design, we've decided to make her wear a tank top so that her arms are permanently exposed for her to extract blood. Upon arriving at the garage, she wears a blue shirt. This is because; in accordance with visual components theory, blue is the extraction of red; literally what she's doing with her own blood.
The Antagonist:
The three "police" represent the true antagonist in the film: the governing authority of the story's world. It's their job to hunt down and arrest anyone known to be breaking the law and creating illegally. At face, they seem to show no mercy beating their targets and hauling them away into prison. However, when they break in to find the work of the protagonist, we're reminded that they are still human as they express shock and almost fear; as if they begin to question if what they are doing is morally right.
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